Tag Archives: Vidya Balan

Triveni Sarees, the Madhubani paintings Canvas!

If you have ever envied the look ethnic look of beautiful actresses Shabana Azmi or  Vidya Balan in their exquisite Handloom Sarees, big bindis, and heritage jewels…

 …Go for Triveni Sarees Madhubani collection to get the look! Now it’s your time to turn them green with envy!!

The latest offering from Triveni Stable is of Sarees based on beautiful Mithila imprints of Bihar, better known as – The Madhubani paintings.  Triveni’s exclusive collection in super soft blended cotton with delightful Madhubani designs is around to steal the limelight.

The effeminate saree collection is ideal for formal wear collection which is complemented with beautiful Art Silk borders and beautifully complementing blouse pieces. Sarees really look beautiful and flawless to adorn to get that classy look, which was possible only with steeply priced Handloom Sarees.

But this collection by Triveni is the answer to that which comes at highly affordable prices. Ladies, if you are going to be part of any Seminar, Conference, Workshop or any other official function, Madhubani Sarees are the best bet. These will surely give you the look of the likes of Shabana Azmi, Ila Arun or even Vidya Balan which you have always envied.

Madhubani – Mithila Painting (also called Madhubani art or Mithila painting) is practiced in the Mithila region of India and Nepal. Painting is done with fingers, twigs, brushes, nib-pens, and matchsticks, using natural dyes and pigments, and is characterized by eye-catching geometrical patterns. There is ritual content for particular occasions, such as birth or marriage, and festivals, such as Holi, Surya Shakti, Kali Puja, Upanayana, Durga Puja.

Madhubani painting/Mithila painting was traditionally created by the women of the Brahman, Dusadh and Kayastha communities in Mithila region in India. It originated from Mithila region and Madhubani district of Bihar became the major export center of these paintings, hence, it is popularly called Mithila painting or Madhubani painting.  This painting as a form of wall art was practiced widely throughout the region; the more recent development of painting on paper and canvas mainly originated among the villages around Madhubani, and it is these latter developments led to the name Madhubani art being used alongside the name “Mithila Painting.

The painting was traditionally done on freshly plastered mud walls and floors of huts, but now they are also done on cloth, hand-made paper, and canvas. Madhubani paintings are made from the paste of powdered rice. Madhubani painting has remained confined to a compact geographical area and the skills have been passed on through centuries, the content and the style have largely remained the same. And that is the reason for Madhubani painting being accorded the coveted GI (Geographical Indication) status. Madhubani paintings also use two-dimensional imagery, and the colors used are derived from plants. Ochre and lampblack are also used for reddish brown and black respectively.

Madhubani paintings mostly depict the men & its association with nature and the scenes & deity from the ancient epics. Natural objects like the sun, the moon, and religious plants like tulsi are also widely painted, along with scenes from the royal court and social events like weddings. Generally, no space is left empty; the gaps are filled by paintings of flowers, animals, birds, and even geometric designs. Traditionally, the painting was one of the skills that were passed down from generation to generation in the families of the Mithila Region, mainly by women. It is still practiced and kept alive in the institutions spread across Mithila region. Kalakriti in Darbhanga, Vaidehi in Madhubani and Gram Vikas Parishad in Ranti are some of the major centers of Madhubani painting which has kept this ancient art form alive.

 

Exclusive Interview: Author Munmum Ghosh, on latest title Thicker than Blood

Articulate & Exuberant, Munmun Ghosh is a Mumbai-based fiction writer, editor with CRISIL Ltd., a freelance journalist and amateur musician is a delight to interact with. Having a wonderful way with words, she is a master weaver of stories on most crucial but untouched upon issues.

Author Munmun Ghosh
Author Munmun Ghosh

No wonder, Actor Vidya Balan who launched her earlier book – Unhooked in Mumbai said, “Once I started reading Unhooked, I was hooked. Every experience mentioned in this book will find a resonance with women somewhere or the other — either you have gone through it or you have known someone who went through or have at heard of someone go through it.”

Noted columnist Shobhaa De commended the book as “an unblinking view of the contemporary concerns that confront thirty-something career women looking for love, but not necessarily sex.”
Her first work of fiction Hushed Voices (2007) explored the lives of Mumbai’s marginalized classes through a series of connected monologues. In her second fictional venture, a full-fledged novel named Unhooked (2012); she spotlighted the metro phenomenon of intellectual mating between the sexes and its repercussions.

Armed with a First class Masters’ degree in English Literature from Mumbai University, she worked as a full-time journalist for a range of publications – from Stardust and MOVIE to The Daily, The Economic Times, Mid-Day, and indya.com for over a decade before segueing to creative writing.

Munmum Ghosh spoke to Bienu Verma Vaghela in an exclusive interview:

Excerpts of the interview:

Munmun Ghosh

As a journalist, how challenging was it for you to write a full-fledged book for the first time?

I had clocked almost ten years of full-time journalism before I moved to fiction-writing and it was for sure, a huge challenge since it demanded more of imagination from me than journalism did. Especially, given the nature of my first work of fiction ‘Hushed Voices.’ For unlike my latest novel ‘Thicker than Blood,’ Hushed Voices is rooted in a milieu far removed from the middle-class milieu in which I grew up. It is basically a string of 39 connected monologues, giving voice to the concerns, issues and joys of Mumbai’s underprivileged populace, featuring characters like a dabbewali, a public undertaker, and a regular domestic. Hence, the title ‘Hushed Voices.’

Complex human relationships are the crux of your books, but how complex are these actually in real life?

Since human beings are complex in nature, relationships between them are bound to be so. A lot of growing up and maturity is about learning to handle relationships with different people in your lives. I think once we truly accept that we are all essentially different and respect this fact, relating becomes easier. Still, relationships remain complex since humans are dynamic entities and changing constantly. So remaining in harmony is a perennial effort. However, the challenge and shifts in relationships also make life more interesting.

Do you think the pressures of modern day and stressful lifestyles take a toll on relationships?

Several factors influence relationships, and stressful lifestyles can become an important factor. While I was researching for Thicker than Blood, I remember talking to a sexologist, who had this interesting observation to make: ‘Many a time a couple has come to me with problems in conceiving. When I ask them how often they make love, they say, at least twice a month.’ So stressful, hectic, work-laden lifestyles can take a toll on relationships for sure. For to nurture a relationship, you need first and foremost to give time to it. If you are not spending time together, then how can that connect grow?

In your latest title you have written about quite an untouched subject of infertility and complexities surrounding it? How did you conceive the idea?

Thicker than Blood is based on the real-life experience of one of my dear friends, who struggled for years to realize her simple wish to have a complete family, exploring many an option in the process. Her story moved me and when I looked around, I realized many couples were going through similar experiences silently, and it was a growing urban issue. As a writer, I believe it is my responsibility to draw attention to those aspects of life that are important but not being talked about, and so I decided to compost my friend’s story. I felt in the process the story would make visible, the options available to couples in similar situations. Also, the idea of writing this novel appealed to the romantic in me, because finally Thicker than Blood is the story of a man and a woman, of Vimal and Mayuri, and how their relationship evolves over the years through many strains and challenges. In one sense, it is an ode to love.

What is your advice to young authors, especially aspirant journalists who want to become authors some day?

Write a story/novel only when you have something to say, only when the story is consuming your from inside and you cannot rest till you are out with it. The story will choose its own form. You don’t have to worry too much about that. And once you have got a story to tell, then let it grow within you. Develop it steadily and of course, rewrite and polish it again and again. Approach a publisher only when you are satisfied with the end-product. Don’t be in a hurry to get published.

Do you think events like Jaipur Litt. Fests are important for furthering the cause of Publishing & Writing?

I think any event that promotes the reading habit and the cause of literature needs to be encouraged and lauded. When a youth reads about the Jaipur Literary Fest in the papers, it is likely he will become curious about the writers involved and want to at least browse through their works. That would be a gain. Today, books are ranged against very powerful competitors for eyeballs like cinema, internet, television and most importantly now what’s app. So any activity that can bring people to books is welcome.

Thicker than Blood - front and back cover (1)

Watch out this space for Book’s Review soon…

Book – Launch on February 16, 2016 at Title Waves, Bandra West, Mumbai

Don’t Miss to grab your copy brought to you by Jaico Books!